1) You can pre-order the paperback and get a free copy of the ebook at no extra cost!

2) You can order a copy of the special hardcover edition, which will only be available for this one time!

3) You can order art prints of the yokai in the book — also only available during this Kickstarter project!

4) You get to see exclusive updates and previews of all of the yokai in the book — even if you only pledge $1 you will get access to updates about yokai and the making of this book which won’t be shown on the blog.

5) And of course, you get to show your support for the project!

If you’re planning on buying the book eventually, it is worth your while to pledge now and be involved with the making process and all of the updates along the way. And it helps me out a lot by raising publicity for the project and supporting my artwork!

http://www.kickstarter.com/projects/osarusan/the-night-parade-of-one-hundred-demons]

Thanks again for all of your support, everyone!

This week so far I’ve released a few new paintings to the backers of the project: the Jorougumo, the Tsuchigumo, and the Baku. Here’s a little preview of the art! If you are a backer of the project you can see the full image on the Kickstarter project page.

Thanks so much for all of your support so far! And if you haven’t decided to join yet, I hope you’ll do so!

Jorougumo (detail)

Tsuchigumo (detail)

Baku (detail)

Click the image!

So what’s the story?

Today is August 1st (at least in Japan anyway — it might still be July for some of you in the States). Until the end of August, I am trying to raise $2000 for this project to cover the costs of publishing this book. That’s 31 days to get as many pledges from you guys as possible.

But the pledges aren’t charity! You get something for it, too!

• Every backer, even for a pledge of a mere $1, gets super top secret insider access to all the updates on this book as it progresses. This will be kind of like what I have been posting on my blog this past month, only much more informative! You’ll get to see all of the finished paintings as I make them, as well as the sketches and drafts that came before them. You’ll get insight into my process of making the images as well as more details about the paintings and why I chose this or that yokai. You’ll also get more previews of the text from the book to tide you over until the publish date.
• You can reserve yourself a copy (or two, or three) of the paperback book to be delivered when it is published, or an ebook version as well.
• You can also reserve signed, matted art prints (like the ones you can find in my Etsy store) of the paintings in the book — and these will only be available through the Kickstarter project, so don’t put it off until September!
• For really big yokai fans, I am also making a “collector’s edition” of this book — a 200+ page, full color hardcover edition of the book that is only available through this project. Full color hardcovers are ridiculously expensive to make, so you won’t be able to order this once the project is finished.
• And the “grand prize” pledge gives you the opportunity to contribute to the book and make every copy a little bit cooler, by choosing any yokai from Japanese folklore not already in the book and having me illustrate it and add it to the finished book! For each Yokai Preservation Society pledge, the book will be become 2 pages longer (one full-color illustration and one description)!

The Kickstarter patronage drive will end August 31st, but the project will continue on after that for a few more months. The paintings are scheduled to be finished in November, and I expect to have to book completed in its entirely by early December. Whether I can publish it at that time is up to Amazon’s CreateSpace service, but you can expect the book to be available either by the end of 2011 or in the beginning of 2012.

I’ll still be making occasional updates about the book here on my blog, but more of my attention will be focused on the updates for super top secret insider access — I want to make sure every backer gets their $1 dollar’s worth!

So head on over to the Kickstarter project page and have a look!
http://www.kickstarter.com/projects/osarusan/the-night-parade-of-one-hundred-demons

I hope you decide to support me!

Today’s preview is one that I’ve seen translated as “one-eyed goblin” and actually fairly accurately fits that translation. Hitotsume means “one eye,” and kozou literally means “little monk” but is a general nickname for young boys and children. In any case, this yokai certainly is the most goblin-y of of the ones we’ve seen so far.

Hitotsume Kozou

Nozuchi

The Nozuchi is one of the earliest known yokai recorded in Japan histories. It is a powerful and ancient snake-like spirit of the fields known for its bizarre shape and habits.

Nozuchi are short, fat creatures shaped like mallets, about fifteen centimeters in diameter and just over one meter long. They have no eyes, nose, or any other facial features save for a large mouth located on the top of their head, pointing towards the sky. Their bodies are covered in a bristly fur, much like a hairy caterpillar. They make their homes inside of large trees, particularly on the tops of hills. They are slow movers, and move about by rolling and tumbling down slopes, then slowly inching their way back up. Nozuchi most often feed on wildlife: rats, rabbits, squirrels, and other small animals. They are able to eat things much larger than they are; particularly in Nara prefecture they are known to feed on deer, which they can devour in a single bite, pulling the whole animal into their small, stumpy frame. They are also known to attack humans who come near their nests, rolling downhill and snapping at their feet.

Nozuchi bites are very dangerous to humans, resulting in terrible, mangled wounds which quickly lead to a high fever and death in most cases. In some cases, a person who is merely seen or touched by a tumbling Nozuchi can contract this fever and possibly die. Fortunately, Nozuchi attacks are easily avoided by sticking to high ground where they cannot tumble, or climbing a tree quickly if no other high ground is available.

Nozuchi can tranform into a humanoid shape, though they rarely are seen in this alternate form. They take the shape of a human priest, but with no eyes, nose, hair, or ears. The only feature on the head is a large gaping mouth pointing upwards towards the sky. Wicked monks who are banished from their temples to live in the wilds sometimes gradually turn into Nozuchi, and are more likely to maintain a humanoid form than a serpentine one. Care should be taken not to confuse a shape-changed Nozuchi with a Nopperabou, which has a similar appearance but poses a different threat.

Kodama share a resemblance with another yokai we’ve seen previously: the Yamabiko. As you may recall, Yamabiko are responsible for delayed echoes and strange noises in the mountains. Similarly, when your echo comes back delayed or distorted deep in the forest, it can be blamed on a Kodama.

The oldest and most sacred trees — ones most likely to have a Kodama living inside them — are often decorated with the famous Shinto rope, known as a shimenawa. Shimenawa are commonly seen decorating shrines, rocks, trees, and other sacred objects and places. Next time you’re in the forest, look for these glowing spirits fluttering about in the twilight. Or, when you get home, check your camera. They most commonly show up in the flash photos, as Google Image Search illustrates.

Kodama

Today’s preview is another yokai we’ve seen before. I did a Houou for last year’s A-Yokai-A-Day project. So I won’t go too much into the details of its story, as you can read about it back there. Needless to say, though, it is the king of all birds, and I hope this very colorful piece shows that.

A little bit about my upcoming Kickstarter project…

We’re now coming into the final week of July! Holy smokes! That means soon I will be launching my Kickstarter project, which will run for the month of August. I will be trying to raise $2000 to cover the costs of publishing, printing, and so on through Amazon’s CreateSpace, as well as recoup some of the costs of working on this since January. I will have a larger breakdown of the costs when I launch the project next week. The give you an idea of the patronage rewards, the lowest will be simply $1, and it will include previews of all of the paintings like you’ve been seeing on my blog, as well as additional previews (such as the concept artwork that leads to the paintings) and previews of the actual text that will be in the book next to each yokai. These detailed previews won’t be public on my blog, so you’ll have to become a patron to see the extra stuff. Higher levels of patronage will include ebooks and lower-priced physical books signed by me, and there will be an option to buy any of the yokai in the book as a large, beautiful, matted print. They won’t be available individually on my Etsy store, so the only way to get prints of these will be as a patron. Finally, there will be some more, very interesting, patronage options at higher levels than that, which I will reveal next week along with the project. Basically, if you are thinking of buying the book, it will be very worth it to become a patron. I hope the previews so far have been enough to catch your interest!

Houou

To go with today’s weather, and to help cool down all of you back in the great heat wave over North America, here is a refreshing cool, watery yokai. It is called Onibi, or demon fire, and it is found near lakes and rivers, especially on misty summer mornings and evenings. Onibi is usually a ball of phantom blue fire — sometimes red or orange — which hovers over the water’s edge. They bob up and down and are very beautiful and mesmerizing. Folks who get close enough to Onibi find out that it isn’t even hot to the touch, and it seems like a fun plaything except for the fact that it sucks the life force out of any living creatures that come near it… So if you see an inviting glow at a Japanese watering hole, stay away!

There is a very large number of fireball-type yokai. You’ve already seen Hitodama earlier, and now Onibi. There is another one which will be featured in this book as well, and a great deal that I won’t cover just yet. Collectively they are known as Hinotama, or literally “fireballs.” Good name, eh?

I think it’s interesting how there are some yokai that are so similar to European monsters. The English Will o’ Wisp, for example, is a near exact analogy to many of these Hinotama phenomena. It makes you wonder if there really isn’t something real behind most of these monsters and yokai. Maybe not something supernatural, but at the very least a common human experience, explained to the best of our abilities. Little things like this make me realize how small the world really is, and how even on the complete opposite side of the planet, we are all still the same human beings, with the same hopes, fears, and experiences.

Onibi

Kijimunaa live in Banyan trees, which also remind me of Florida. Our campus had a huge old banyan tree that was great for climbing. You could climb up to the roof of the school in that tree as long as no security guards were around.

These yokai are the quintessential forest boys. They’re almost a South Pacific version of Link. They live in trees, often near human villages, and occasionally do good deeds for virtuous human beings. They are excellent fishers, and help fishermen bring in catches. They are also tricksters and magicians, and have a very short fuse — once you anger a Kijimunaa, it will hate you for the rest of its life. One way to anger it is to refuse to come out and play when it asks you, no matter what time of day or night. Another way is to fart in its presence, which they really hate!

Their favorite food is fish eyes, so if you happen upon a beach and find some dead fish with no eyes, that’s a sign Kijimunaa are around!

Kijimunaa

Of course, the sea is not just a source of bounty for Japan. It also can be a source of terrible tragedy, such as the tsunami earlier this year which began the whole current nuclear crisis. It also is a source of yokai — usually terrible ones — such as the one I am showing you today.

You may remember I painted an Ushi-oni from Shikoku last year, which was a large, horned, bear-like monster which terrorized villages. There are many different kinds of Ushi-oni, however, as the term simply means “bull demon” and can refer to pretty much any large, beefy, demonic yokai. This particular Ushi-oni hails from the Sea of Japan off of the coasts of western Japan. It scours the beaches for human prey, often working in conjunction with Nure-onna and Iso-onna to catch its prey.

Ushioni